Saturday, January 29, 2011

One LGBT Story Deserves Another

While speaking to a group of students in the digital media program at the Austin Art Institute, we broached the subject of the need for writers to stay tuned to the media/box office about what's hot and what's topical because this is an excellent way to get a read on what the execs are hoping to find and buy. As a case in point, I told them that now that The Kids are All Right has won a couple of Golden Globes and been nominated for no less than four Oscars, there will be more gay and lesbian relationship movies.

The worldwide box office cume is strong too, considering the budget was only 4 million and it was in limited release. I'm willing to bet the DVD sell-thru and rentals will add considerably to that number before all is said and done. Chances are somebody (probably more than one somebody) is pitching some LGBT ideas as we speak. Of course, we have had some great gay/lesbian films in the recent past and a few successful TV series. As the saying goes, timing is everything.

Gay marriage is being revisited afresh now that there's a new crop of legislators on Capitol Hill. And President Obama is going to have to stop waffling on the subject as well. The New York Times carried this story, yesterday. This morning, while tuning in to Nikki Finke's Deadline Hollywood blog, there it was...the first public evidence of another alternative lifestyle movie in the making. Sony Pictures is polling the public about coming out and living gay. Here's the clip.



Whatever your views are on gay marriage, you have to admit that this is a story arena that has only begun to be explored. It's fertile ground for development.

Tuesday, January 25, 2011

Austin Art Institute

A professor of humanities fine arts has invited me to speak at one of his classes at the Austin Art Institute this Thursday morning. He read my book SCRIPT over the holidays and it addresses many areas he's actively involved in teaching. The topic of my Thursday talk will be on pitching and the forms pitches take in the Hollywood environment. Should be fun.

I'll also be guest teaching at A.C.C. in the next couple of weeks on the subject of writing for film and television in general. These are likely to take the form of a Q&A between myself and groups of developing screenwriters in Austin. There's a huge amount of talent here and some 150 colleges and universities in the area. No kidding.

Meanwhile, the Oscar Nominations were announced today. Much buzz on every available news outlet. I generally defer to the coverage on Deadline Hollywood. Columnist Pete Hammond makes sense of the nominations. Click here for the complete list. This year's Oscars air February 27, 2011. The Academy is also now accepting applications for the 38th Student Academy Awards. Go here to get an application. Deadline for entry is April 1, 2011. Good luck!

Saturday, January 22, 2011

Reading Habits Revisited

I finally read The Aphorisms of Patanjali (Swami Prabhavananda and Christopher Isherwood) last weekend and was astounded at its depth and directness. Not that it had depth or directness but that it was accessible to my western way of thinking. It wasn't the hard read some part of me feared at all. Today I read R.K. Narayan's narration of a shortened, prose version of The Ramayana. What a delight - even as only an overview of the epic. Come for the literature. Stay for the world class storytelling.

Here in the United States I'm betting a lot of people haven't read The Ramayana. More have most likely read Patanjali because it's yoga. Whatever the case, you're in for a treat. I'm sure Narayan's text played a big part in the pure pleasure of my read. Also, while roaming the aisles of Half Price Books another abbreviated treasure popped out by Prabhavananda/Isherwood. This one, a translation of the Bhagavad-Gita - The Song of God. Had to go for that. I have never read that before either. Heavens. Aldous Huxley wrote the introduction and sets up a comparative literature framework, which appeals to the analyst in me. So that's what's on for tomorrow.

The only thing really missing from this grouping is Peter Brooks' film version of The Mahabharata. It was so long I never sat through the whole 9 hour version. Parabola's video library has a 3hour edited version. I found a six-hour version at the local library this afternoon.

Just before leaving Half-Price books, a dusty cloth covered copy of Margaret Mead's Coming of Age in Samoa found it's way into my basket. I plucked it out, put it back with an apologetic glance and made a mental note for the next wave of reading/research.

Afterthoughts: A few days ago I asked my brother how his experience was of rereading the Bible (which he is doing at my father's request). Here's what I came away with - our conversation was cut short as he had previous appointments:

- He had gone straight to the New Testament (my birth family is Christian). The gospels, in fact. I find that rather surprising, seeing as how Christianity is based on the Old Testament, Jesus was a Jew and some of the best stories transpire in it. But then, he had already studied it long and hard in college and for years afterward.

- He was also experiencing a lot of negativity from his own mind. Wishing to honor my father, but not wishing to read. My brother is a seeker who does not ascribe to any religion. He lives by a moral, ethical code but believes only in the scientific.

As I made the call and was attempting to interview him - I asked him if he thought of reading it as literature. He had just come to that conclusion. So that's perfect.

There's a great little book by Northrup Frye called The Educated Imagination. In it Frye argues for a foundation in the classics, especially the scriptures of all nations, and he does so without religion. Here are a few salient quotes from Educated Imagination.

"The myths and images of literature ... enter into and give form to all the structures we build out of words."

"A great work of literature is ... a place in which the whole cultural history of the nation that produced it comes into focus."

"The poet's job is not to tell you what happened, but what happens: not what did take place, but the kind of thing that always takes place."

"The end of literary teaching is not simply the admiration of literature; it's ... more like the transfer of imaginative energy from literature to the student."

Thursday, January 20, 2011

Morning Meditation

UPDATE: February 14, 2011 - People are calling in from all over the world to participate in this "conference call" fire lab. The call in number changed today to accommodate more people. The pooja and fire lab begin at 6:45 am PST in February. Here's the new call-in number (760) 569-7676 access code 157550. Namaste.

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There's a quantum leap between meditating alone and with a group. I guess most people feel that. But still. Holy smokes! This morning I participated in a group meditation via conference call. Chants were sung. Prayers were read. I was imagining, as often as I could, the fire ritual in holographic form.

Yes, dad. A fire ritual. I promise not to astral travel. At least not yet. But what an energizing, joyful way to start the day. I put together the dough for homemade bread in record time. It was like having an extra set of arms.

File this as elevated social networking. More evolved than Facebook. Sorry Mark Zuckerberg. Of course the scene wouldn't be complete without Kira channeling Simon's Cat in the middle of the whole thing. Nothing like having an erratic fur ball leaping and tumbling through your morning meditation.

Today I'm giving myself the writing exercise of isolating characters and story elements like plot, location, structure and theme as totally individual entities. Maybe this will help crystallize them. The human/animal relationship is central to this particular piece.

Some random thoughts about doing a book of recipes from the jungle too. I've been collecting and refining them forever. My homemade white bread is, in fact, the official bread of a private school in France. Isn't that cool?

Definitely recommend a morning fire ritual. If you're open to raising your own vibration and that of the planet Check this out. The Pillai Center in San Diego is offering this FREE for the remainder of January and throughout February 2011. It lasts about 50 minutes from start to finish.

Monday, January 17, 2011

68th Golden Globes

Sunday night NBC broadcast the Hollywood Foreign Press Association's annual awards ceremony, The Golden Globes. The Social Network took most of the top awards including: Best dramatic picture, screenplay, score and best director. Colin Firth took best dramatic actor for The King's Speech and Natalie Portman best dramatic actress for The Black Swan. Christian Bale won best supporting actor and Melissa Leo best supporting actress for The Fighter.

The best comedy picture awards were the biggest surprises. The Kids are All Right took best comedy picture and Annette Bening (one of the stars of that film) took best actress in a comedy feature. Paul Giamatti looked genuinely astonished as he took best comedic actor in a feature film for Barney's Version - a "small film" from Sony that is currently in limited release.

Not surprisingly Toy Story 3 took the best animated feature statue even though it was up against Universal's juggernaut first effort animated feature Despicable Me and DreamWorks' massively successful How to Train Your Dragon. Burlesque barely received a mention except for composer Diane Warren's Golden Globe for best song. To see the full list of nominees and winners go here.

Michael Douglas (now a cancer survivor and looking very happy to be making any appearance at all) brought the crowd to its feet.


Although a glamorous gala on the outside, it was the snarkiest Golden Globes ever. "Come for the cynicism. Stay for the subversion" (as Nikki Finke is fond of saying). This year's ceremony certainly lived up to its reputation. Here's the blow-by-blow account from Deadline Hollywood. The masses tuned in by the droves to witness the annual snarkfest. NBC claims it kept 99% of its numbers from last year (17 million).

Here's Ricky Gervais doing his bit as emcee.

Friday, January 14, 2011

Happy Vedic Winter Solstice

To my friends at the Pillai Center in San Diego and Chennai, India.

Solstice has long been associated with special energy. Many people are singing songs and chants and coming closer to the light themselves tonight - as the sun travels back from its journey south. Longer days. Rebirth. New beginnings.

Speaking of India, word is out that DreamWorks has a new animated feature in the works called The Monkeys of Bollywood - a musical about a pair of monkeys out to stop an ancient demon from conquering the world (inspired by one of the most revered Hindu texts, The Ramayana). I'm only guessing here but the storyline sounds like it may take its cue from the basic happenings of The Adventures of Hanuman (an amateurish Bollywood musical based on book 5 of the Ramayana). Gurinder Chadha and Paul Berges are producing with original music by A.R. Rahman and lyrics by Stephen Schwartz. What a dream line-up.

My own animal story (starring a trio of furry friends) continues to progress in fits and starts. It doesn't work for me to have the animals dialoging directly with humans. One of the inspirational stories is the classic children's book The Animal Family by Randall Jarrell. Animal Family would make such a beautiful animated feature. Only its poetic sensibility has kept it from being made into a movie thus far.

Now that Weta Workshop is making Kenneth Grahame's The Wind in the Willows, maybe someone will take another look at The Animal Family. They're both whimsical and timeless and sweet in a way that makes one nostalgic for childhood. I have a feeling The Wind in the Willows is going to be fantastic, not just cool to watch but brilliantly adapted to the screen. Bill Marsilii wrote the script.



...and it's off to toad hall. Most of the stuff I write comes out as a short story/treatment. This is not necessarily a bad thing. It's just that old habits die hard. To write anything long, like a 50,000+ page book is an exercise in deconstructing. You have to put all those words in:} Maybe that's not such a bad handicap afterall.

Image Credit: Winter Sosltice by Glennie Kindred. She has some amazing artwork for sale on her site. Visit Glennie Kindred here.

Tuesday, January 11, 2011

Amazon Studios

Yesterday, while talking to Cathy Repola (west coast executive director of the Motion Picture Editors Guild), I learned that Amazon.com has gotten into the movie business. They're calling it Amazon Studios and it made its virtual launch in November. It's a cattle call for intellectual property. And people are invited to revise the work that's already up there too, making it the ultimate movie sandbox.

Now anyone can upload their script or test movie and compete for prizes. Every month they're awarding significant cash to the two best writers (20K each) and one lucky movie maker will get 100K. The contest re ups every month. Bonus bucks include $200,000 for a script that is made into a theatrical film and $400,000 if it earns more than 60 million at the U.S. box office. A million dollars goes to the best film of 2011. They have a year-long first look deal with Warner Bros. Tomorrow (Jan.12) they're announcing the nominees for December 2010. Here's the January contest link.

So who wants to be a millionaire? I have to admit - this is pretty fantastic. In fact, it sounds too good to be true. It's a massive online talent search for writers and movie makers in a fully collaborative environment. While there may not be anything "wrong" with this picture, there are are a couple of things that merit caution before you upload.

1) The vast majority of small films (and that's what they want) never make it to 60 million in theatrical release. So they're pretty safe promising 400K to the movie that does that. Somebody MAY rise from the haystack and do it. And if they do, they will have truly done an amazing thing.

2) The 200K prize is for a script or movie that gets theatrical release. Again, small movies have a tough time making it to the theatrical arena these days. So they probably won't have to shell out that money more than once - if at all.

3) Once you expose your creative baby to the world, everyone has access to it. That will no doubt mean that people can take your concept, change it around and resubmit it as their own and not call it a revision. And those that do write winning revisions can't compete for the big prizes, even if they go on to theatrical release.

4) Have an attorney look over their legal agreement before you give them anything. The way things are worded makes all the difference. There is no obvious information on the site about royalties or other writers rights. I'm only guessing but don't be surprised if you waive those rights upon entry.

This may be the dawning of a new age for movie development. It sure makes exposure a heck of a lot easier but I sincerely doubt if it's the panacea. More like "The World has Talent", online. If this is interesting to you (and you're lacking a pulse if it isn't) I'd recommend going into it like entering a talent contest. You CAN win the big prize but the true value will most likely be having the experience of putting the script or movie together, gaining some sort of name for yourself and interacting with others doing the same.

Monday, January 10, 2011

Lesson in Digression

Just started work on a companion book to Script: A Writer's Guide to the Hollywood Jungle. And although this isn't always the case, it often happens that I suddenly find myself distracted in a thousand ways and doing everything BUT writing. Another of the things I'm doing is getting back into performing music. This involves a whole world of stuff including prepping a repertoire and, ironically enough, today that includes putting hot compresses on a swollen gland in my throat.

With this kind of scattered focus and hope of finding inspiration outside myself, I hopped on the Internet and went to a series of discussions by writers on writing. It makes sense that this would be occurring on the "always on" medium, especially during awards season. It's a legitimate way to find encouragement, don't you think? True Grit is still topping the box office so here's an interview with the Coen Brothers on their creative writing process.

Next came the WGA Awards Nominees. The list is long because it covers every corner of writing for the big and small screen. Then I was taken by some juicy comments made on Deadline Hollywood about the WGA. The comments often degrade into moronic bickering and a total waste of time but sometimes you spot a gem. One such comment sent me searching out what Todd Phillips (Due Date) and Aaron Sorkin (The Social Network) said about the writers guild.



These are valid points and everyone loves to hear "celebrity writer/directors" bantering about their work. But they miss the part about policing royalties and pension and health benefits. I'm guessing they DO find this aspect of the WGA beneficial - even if they're currently living well above the working man's wage.

Sorting through these articles and interviews supplies a sense of connection but they don't leave me any more ready to write. The more self-congratulatory, the more disheartening. Now I'm watching a documentary on the life and work of Akira Kurosawa. This is far more inspirational, as biographies often are. I was not aware of how much Kurosawa struggled or that he had attempted suicide.

Many of his films are about individuals trying to live virtuous lives against hardship and adversity. And, according to the documentary, this comes from his own samurai background. "There is nothing that says more about the creator than the work itself." In talking about the making of one of his masterpieces (Seven Samurai) Kurosawa insisted that the story be based on true events. They spent months researching the history of the samurai. The result was the birth of a genre (according to film critic Michael Jeck) an action picture in which a team is assembled to carry out a mission. Later on he said:

"With a good script, a good director can produce a masterpiece. With the same script a medicore director can make a passable film. But with a bad script, even a good director can't possibly make a good film."

I also happened upon an interview with Alejandro Gonzalez Inarritu at the DGA on how Kurosawa's seemingly simple film Ikiru was inspiration for his latest film, Biutiful.


And so as simplistic as it sounds, I am reminded that this searching is part of the process - which includes a not-so-comfortable feeling of wanting to climb the walls. I may need to watch dozens of films and read as many books to find my beginning. There is some relief in this. After all, I am in the very best company!

Friday, January 7, 2011

Alligators in The Hollywood Jungle™?

January 2011 brought Pen Densham's first book Riding the Alligator out with a massive PR campaign. It claims to offer strategies for surviving Hollywood. Great minds think alike. Script: A Writer's Guide to the Hollywood Jungle™ is a field guide that lays out the territory, identifies the tribal attributes of each group and details how each of them develops scripts differently. I haven't read Densham's book but it looks like there are alligators in the jungle.

Monday, January 3, 2011

Online Gaming

NPR's Morning Edition covered a story over the holidays about action video games (Call of Duty: Black Ops in particular) and came to some surprising conclusions. Brain researcher Daphne Bavelier, of Rochester University, and Jay Pratt, professor of psychology at Toronto University, find that skilled gamers improve their vision (contrast sensitivity), attention, multitasking and spatial cognition. Wow. Does that mean video games are actually good for you?

One thing we know for sure is gaming is good for the economy. The Electronic Software Association claims that between 2005-2009 video gaming grew at seven times the rate of the entire economy. This is due, in part, to the fact that older gamers are still playing and new gamers are joining their ranks worldwide in expanding numbers. Andy Kessler of the WSJ reports today that the gaming industry has replaced the military in driving technology. Pricewaterhousecoopers is also on record saying that "portable software sales for the family entertainment genre should reach 48.8 billion by 2011".

Nothing is mentioned here about the potentially harmful effects of the compulsive consumption of violence. Maybe that's because recent studies have shown that there are many factors that contribute to violence and aggressive behavior in kids - chief among them being the negative influences of their parents. Immersion in violent games and watching violent entertainment are now considered only minor factors in influencing behavior (assuming you don't watch/play 24/7).

I'm not co-signing any of this, just catching up on what other people are saying about the current state of gaming and using it to brainstorm writerly ideas. Other studies that take pictures of brain activity allege that skilled gamers are outpacing their non-gaming counterparts in developing the ability to execute complex brain function using the frontal cortex instead of exerting a lot of energy figuring stuff out from the parietal cortex (which has more of a workhorse quality). Now that is epic! Here's a link to that broadcast/podcast.

This is cool news. Of course the gaming industry is no doubt as glad to hear it as concerned parents who can't get their kids to put the controllers down. Meanwhile, the studios and cable companies are jockeying for power in this lucrative entertainment arena. Nobody knows for sure what's in store or how it's all going to pan out but everybody wants to cash in. While noodling around on the NPR site I also came across this audio clip which anticipates the Comcast/NBC Universal merger about the future of online video games.

So all this led me to a development idea. Why not create a movie/game experience that explores global challenges like finding a cure for cancer? What would happen if an action adventure story took us inside a problem like that and helped us solve it? It would be a mashup of the classic sci-fi comedy Innerspace (about a hapless hero who shrinks down to microscopic size and enters the human body) meets Inception (the recent crime thriller that takes place in dreams) meets Lorenzo's Oil (a biopic about a set of parents who travel the world to find a cure for their son's rare disease). And maybe the gamers/scientists would be given a chance to contribute new ideas via a wiki.

Now I've procrastinated long enough on finishing that short story I promised myself I'd finish by New Years. I've been hung up on whether or not the animals actually speak English to the humans(like Zookeeper) or use telepathy and cue cards to solve the dastardly crime that's about to take place. Difficult problem. My solution, finish the treatment and worry about that later. It's not pivotal to the plot.

Saturday, January 1, 2011

New Year Wishes

May your dreams follow you into your life
take up residence there and invite their friends
and when you stop to give thanks
may your heart blossom open
and a great light radiantly shine
forgiving those who judge you
or go out of their way to cause harm
May you have the sweet, happy medicine
of precious animals and friends
May the sun warm you
the winds caress you
the waters cleanse you
and the moon light your night
May the one thing you secretly pray for
completely and finally come true
May you know what only you can share
and the joy of giving it to the world
May the ancestors invisibly around you
sing with gladness to the stars
May the new year richly bless you
give you hope with every breath
and every time you gaze outward
from that silent, sacred place
may you see the same love in every face

Happy Birthday Kira!