Also happened on this web series written, directed by and starring former unknown, itinerant actor Jeremy Redleaf called Odd Job Nation. Redleaf is on record saying that he was tired of sitting around waiting for the phone to ring so he created his own show. It's a hilarious, Wayne's World take on what it's like to suddenly lose a good job and try to find work in the great recession. Hello Craigslist.
Odd Job Nation won the 2010 Streamy Award for best new web series and Redleaf has since signed a development deal with Fox. From what I hear, he's also fielding several other offers as well. When you watch the clips (the first two), I think you'll understand why.
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All writers and artists are, in a sense, warriors. This is particularly true in the often covertly hostile Hollywood environment. But what I’m talking about here doesn’t have to do with survival strategies, power lunches and contracts. Nothing so exotic. It’s the subtle battle that goes on everyday within our own minds.
Unless working exclusively as a reporter (which has more to do with ferreting out facts and finding angles) or researching something technical, we live more in the right side of the brain than the logical left where the values are abstract and intuitive. And yet we also live in the "real" world. For most of us that means produce an income or work for someone else. The romance of the starving artist is a myth in the sense that starving isn't romantic and it's not a requirement to be a legitimate artist.
People may accuse us of “not working” or worse, we accuse ourselves. The work I do isn't good enough or it's taking too long to come together. I wonder what so and so will think. And how do I remind myself that the pile of rewrites in the trash is evidence that progress is being made? That the dreams I'm having are helping write the second act and have just introduced a new character? This is true even when the issue isn't whether or not I have enough money to pay the bills or buy a new car.
Ironically enough, when success does come, if it's big enough it can be overwhelming. High profile working artists tend to be seen as superhuman, not the everyman who triumphs over his own inertia on a daily basis. Success can be surprisingly disorienting. Which is not to say that when you're down success isn't the best medicine. It just may not be accessible this red hot minute.
Feeling up when your down has to do with finding a balance. No matter where we are in the cycle there is potential trouble, conflict. Chris Vogler (The Writer's Journey) has talked to me about "suiting up". By this he means wearing the armor of the intelligent artist. Being a warrior - alert and on guard – ready to thrust, parry, regroup and start again. I know he meant this on a spiritual level also.
So how do we stay fit, as it were, as artists and feel up when we're down?
- Get into action. For me, physical action works the fastest and is the most reliable. I'm a walker but I also love to dance.
- Go out for a run, meet up with a supportive friend. Watch a great film or listen to something awesome that inspires you. The important thing is to MOVE.
- Do something as an artist immediately that brings completion and, if at all possible, get paid for it. The physiological holds enormous power but there's nothing like translating creativity into cash.
The “enemy” (whatever it is that's blocking progress) is illusory. In this case anyway, we win or lose by what we do in those moments of uncertainty or despair. This movement, this getting into action is a psychic weapon that should be in everyone's armamenterium (isn't THAT a great word?). When in doubt, jump for joy! Do something outrageous. Enter a contest. Win a contest! But for heaven’s sake don’t just sit there. And on that happy note, I'm off for a walk.










